Frequently Asked Questions

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First, reach out. My pricing is dependent on several factors, including substrate, materials used, and size. An 8x10 inch oil painting starts at $200.

Once we've agreed on materials and size, a contract with down payment comes next.

After that we work on source material. While you may have a particular photograph in mind, what makes a pleasing photo may not always work well as a painting. I work with my clients to find the perfect source photos.

I generally update my clients every 1-2 weeks, sometimes providing progress photos.

We are currently in the beta testing phase and plan to launch for sign ups in the next few weeks.

I have focused on using quality, archival materials incorporated with good painting practices. I strive to create long-lasting, beautiful paintings that will last generations. I use professional grade materials at every step.

For oil paintings I begin with a light sketch, usually in charcoal, chalk, or graphite, on a toned canvas. From there I begin building up the painting, layer by layer. Some of my works are done alla prima but many are also painted in layers, allowing each layer to fully cure before moving on. I focus on using single pigments and creating a palette perfectly suited for each painting.

With watercolors I start with 300gsm cotton paper and use professional-grade paints, laid over a very light sketch done in graphite pencil and then paint is applied.

Oil paintings are durable but sensitive works of art. With the right care, they can remain beautiful for generations.

HANDLING

• Always handle with clean, dry hands (or cotton gloves).
• Hold the frame, try to avoid touching the painted surface.

PLACEMENT

• Avoid direct sunlight and intense heat, high humidity, or areas with large temperature and humidity swings — all serve to damage the substrate, paint, and varnish.
• Gentle, indirect natural light or controlled artificial light is ideal.
• Do not keep paintings in complete darkness for years; low, diffuse light helps prevent the linseed oil used in oil paints from yellowing. This is especially noticeable in white areas -- if you see a white area that seems to have gone yellow, try putting it in a bright room for a few days.
• Avoid damp or extreme environments (bathrooms, kitchens, basements, near radiators or fireplaces).

CLEANING

• Dust gently with a soft, dry brush (like a clean makeup brush) or lint-free cloth.
• Never use sprays or household cleaners on the surface. If more cleaning is necessary, use distilled water on a dampened lint-free cloth.

FRAMING AND PROTECTION

• A solid frame protects edges from knocks.
• A backing board can shield from dust and changes in humidity.
• If glazing (glass or acrylic) is used, add a spacer so it doesn’t touch the paint surface. Glazing is not recommended as it creates reflections that can detract from the art.

STORAGE

• Store upright, never face-down or directly against other objects.
• Wrap with acid-free paper or bubble wrap (without contact on the paint).
• Use rigid, padded crates or boxes for transport.

PROFESSIONAL CARE

• If the surface looks yellowed, cracked, or dirty, consult a professional conservator. In the USA you can start here: https://www.culturalheritage.org/home
• Do not attempt to clean, varnish, or repair it yourself.

✨ Golden Rule: Keep it safe, stable, and lightly lit — and let professionals handle any restoration.

To properly care for a finished watercolor painting, keep it out of direct sunlight, frame it behind glass with an acid-free mat, and store unframed pieces in a flat, dry, acid-free environment. 

Displaying and Framing 

• Use UV protection: Hang your painting away from direct, bright sunlight to prevent the pigments from fading over time. 
• Keep space from the glass: Ensure the glass or acrylic glazing never touches the paper's surface, as trapped condensation can ruin the paint. 
• Choose acid-free materials: Use archival, acid-free mat boards and backing to prevent the paper from yellowing or degrading. 

Storing Unframed Artwork 

• Store flat: Lay unframed paintings flat inside an acid-free portfolio or storage box. 
• Control the environment: Keep the artwork in a room with stable, moderate temperatures and low humidity to prevent warping and mold growth. 
• Interleave with tissue: Place acid-free glassine or tissue paper between stacked paintings to protect the delicate paint surfaces from rubbing. 

Professional Care

• As with any piece of fine art, a trained conservator knows best how to prevent and repair any damage to your art. To find a conservator in your area of the USA go to https://www.culturalheritage.org/home